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It’s almost time for the 4/20 ritual of marijuana (cannabis) smokers to unite for an annual smoke-fest. Whether you participate or not, as a Vancouverite it’s hard to escape the skunk-like haze that forms over the downtown core every April 20th.
” You could pay your taxes with cannabis hemp throughout America for over 200 years.” (as noted in Hemp's history) I wonder what would happen if you tried that today? Taxes are due soon, are they not? In more modern times, many artists have used the subject of marijuana within their artwork. They have done so both figuratively and literally. Rip Off Press, in San Francisco, published the infamous Fabulous Furry Freak Brothers comic in the 1970’s. It was the first printing press to produce what is known as “underground comix” They were adult comics that dealt with the enjoyment of drugs, particularly marijuana. The Freak Brothers comic is all about getting stoned, and poking fun at the establishment and right-wing politics – typical of that counter-culture era. Fred Tomaselli is best known for his use of drugs as a medium. He embeds hemp leaves and various other psychoactive and pharmaceutical drugs of choice within his glossy, resin-covered paintings. As noted in Better living through chemistry…, he wants the drugs in his art to travel through the viewer’s eyeballs, rather than through their bloodstream to alter consciousness. Taking things a step further is Fernando de La Rocque. He is known for his art-making process that involves smoking a joint. He blows marijuana smoke onto pre-cut stencils of religious or political figures laid down on canvas. He “paints” with marijuana smoke onto his stencil (and at the art world). For him, this process is all about creating controversy and dialogue through his art-making process. So if on 4/20, at 4:20 you end up sitting and staring at a blank hemp canvas, you may want to roll it, light it and go 420ing. If you liked this blog post, you may also like: Comments are closed.
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